Consulting Swordsman
I flew to Belgrade last week to attend the Sword and Balkan event. I arrived on Thursday evening and spent Friday exploring downtown Belgrade to get a sense of Serbian culture. I’ll write that up properly next, but in the meantime: if you’re visiting Serbia, do not skip the National Museum on Republic Square… The … Read more
It’s a great week for Vadi fans. My comprehensive new course “The Philippo Vadi Longsword Course” is now live on both Teachable and Swordpeople, and my friend Michael Chidester has also just launched his new crowdfunding campaign for a very high-end and beautiful facsimile of Vadi’s treatise, De Arte Gladiatoria Dimicandi. This was a coincidence, and not … Read more
For an academic, it is the best feeling in the world when the ground you have built a mansion on starts to tremble. (Less so for an architect, I’d imagine.) I had that experience on my recent trip to the Panoplia Iberica where I finally met Dario Magnani in person. He runs the THOKK gloves … Read more
In July I flew to Kansas to shoot video with Jessica Finley. I originally intended to just get the material for my medieval Italian wrestling course, but when I saw this amazing mural on Jessica’s salle wall, I was hit by a really good idea- why not use this memory-tree of Liechtenauer’s 12 hauptstucke (“chief … Read more
This post is intended to be useful to the attendees at the recent seminar I taught with Chris Vanslambrouck in Madison, Wisconsin. It may also be of interest to folk who couldn’t make it. First up, huge thanks to Heidi Zimmerman who organised the seminar. It literally couldn’t have happened without her. And thanks also … Read more
Holding the sword correctly is safer One of my students mentioned tendonitis problems in his wrist on the Swordschool Discord server this week. It’s probably caused by holding his sword incorrectly, which forces the small stabiliser muscles to do more work than they evolved for. He is by no means the first student I’ve seen … Read more
One of the most stylish techniques in the system is the punta falsa, literally “false thrust”. Fiore’s instructions are very detailed: Questo zogo si chiama punta falsa o punta curta, e si diro come la fazzo. Io mostro d’venire cum granda forza per ferir lo zugadore cum colpo mezano in la testa. E subito ch’ello … Read more
The two-page spread of plays against the thrust continues with the six plays relating to breaking the thrust. I’ll cover them all in order, starting with the 11th play of the master of the zogho largo crossed at the middle of the swords, shown on f26v. The text reads: Questa sie unaltra deffesa che se … Read more
Having kicked our opponent in the groin, we turn the page to see this spread: [Note, this image is not a photograph of the manuscript opened up; I have just put the scan of each page next to each other.] The story is the same though; having dealt with a whole lot of cuts, including … Read more
We in the historical swordsmanship community are often asked about drawing the sword. I wrote a short chapter on it in my book Swordfighting. The chapter was short because there isn’t much information in the sources! I think this is because most sources are concerned with swordsmanship for the duel in a European culture, which … Read more