Consulting Swordsman
I was talking to a student after class the other day, someone who has been training with me off and on since the school opened. I happened to mention that for me, one of the primary uses of the art we study is that it is a holo-deck for the philosophy of ethics. Because we … Read more
Finding myself at odds with a colleague regarding what it is fair to call “Fiore’s Art” (or indeed any other historical master’s), I have decided to get down on virtual paper my views on the subject. It is obvious that coming from a different time and culture we cannot ever perfectly recreate the Art as … Read more
What is Real Swordfighting? What do you consider “real swordfighting”? For some, only tournament bouts really count. For others, there has to be a corpse by the end. My answer to this vexing question is below. When I was a little boy I want nothing more than to learn real swordfighting. My mum told me … Read more
I am typing this very slowly, without looking at the keyboard (much). This may seem trivial to those of you that learned to touch-type young, but I have twenty years of bad habits to overcome: five published books and God knows how many thousand emails, all written by poke and pray. I got pretty quick … Read more
There has been a lot of hoo-ha on the electronical interweb regarding the USFCA (the American sport fencing coaching body) introducing instructor training and certification for “Historical Fencing”. One the one hand, there is no doubt that they, or any other body concerned with teaching the art of teaching, may have much in the way … Read more
Swordsmanship practice is inherently dangerous. The study of risk has been developed to the nth degree over the last five hundred years or so. For an excellent overview, see Against the Gods, the remarkable story of risk, by Peter Bernstein. (Thanks to my friend Lenard Voelker for sending me a copy!). The assessment of risk … Read more
Plastic swords are for children. Disclaimer: this post should be read as a completely personal, utterly unscientific, non-practical, emotional, historical fundamentalist tirade against something I find offensive. On this matter I am unapologetically fanatical. You have been warned. About eight years ago, in 2004, I was appalled to find, at a WMA event in America, … Read more
Authenticity is the root of martial arts. It is what gives it value. Every martial art draws its authenticity from one or more of the following: lineage, competition, combat or a written source. This is how we answer the question “how do we know this is correct?” : • Lineage: authority derives from the teacher. … Read more