Consulting Swordsman
Guy Windsor One interesting aspect of the recent kerfuffle regarding the USFCA certifying “historical fencing masters” is the debate about the meaning of the word “master”. It can mean simply “teacher”, or “one who has completely absorbed a system of information”, or “one who is in control of something else”. For our purposes I think perhaps “expert … Read more
Despite my reasonable and gently-worded objections, the USFCA have gone ahead with their plans to create a pedagogical certification system for historical swordsmanship. I am clearly not alone in my feeling that this is a bad idea, as it has created something of a shit-storm on social media, including a series of vicious ad hominem … Read more
My sister, a writer, is marrying David, a historian and writer who has a special interest in 18th century France. So what could be more fitting than a Roubo bookstand? I came across it in an article in Popular Woodworking Magazine (Feb 2011), picked up on a trip to the States. In the article, Roy Underhill not … Read more
We had an interesting time in the “intermediates” class this week. (Those scare quotes are to point out that after all these years, we should probably be calling it the Advanced class. So I will.) We began by establishing the goal of the class: to address the problem of freeplay devolving into tippy-tappy shit. You … Read more
I have been working for the last nine months on creating a teaching tool for students of Fiore’s art: a card game called Audatia. The game has been designed from the ground up as a way to make the abstract elements of Fiore’s system, such as the terminology and the overall tactical structure, easier to … Read more
For the last nine months I have been working on a card game, Audatia, which is intended primarily as a training tool for students of Fiore’s Art of Arms, and secondly as a way to spread knowledge of the Art more widely by making a fun and accessible game that anyone can enjoy. By playing … Read more
Swordfights are resolutely, absolutely, analogue. It is random, chaotic, non-linear to a degree. But for centuries, millennia even, man has been imposing order on the chaos, cataloguing the actions, naming the techniques, systematising the Art of Combat. This begins with taxonomy- such as naming the positions swordsmen use or find themselves in, the blows that … Read more
The core idea behind this post is this: in most cases, it is better to have something that doesn’t look right, but does its job, than something that might look better, but fails. (The function of the object or system may be decoration, in which case there is no distinction to be made.) Swordsmanship offers … Read more
There are many reasons why people are afraid to begin training swordsmanship, or indeed choose to follow any path, and many reasons why those who have begun the journey may quit. What follows is by no means an exhaustive list, but it contains some of the more common problems that I have encountered, and my … Read more
Way back in the dawn of time when I came to Finland to open my school, my research into historical swordsmanship was at a very early stage. But we all have to start somewhere. As I wasn’t sure whether to focus on Vadi or Fiore I included elements of both systems in the material I … Read more