Hi, I'm Guy. Welcome!

I am a consulting swordsman, teacher, and writer.

I research and teach medieval and Renaissance Italian swordsmanship (I have a PhD in recreating historical martial arts), blog about it, write books about it, have developed a card game to teach it (which involved founding another company, and crowdfunding), and run Swordschool.

And as if that wasn't enough, you can even contact me here.

I look forward to hearing from you.

Guy Windsor with swords.

Latest Blog Posts

Alison Balsom is retiring this week, quitting after 25 years at the very top of the classical music world. She is probably the most famous classical trumpeter of her generation, and certainly ranks with the greats: André, Marsalis, Hardenberger, Harjanne (go Finland!). She’s 46.

I have several of her 17 albums, and she is an astonishing player. I've played the trumpet enough to really get how fabulously skilled she is.

So what? You may very well ask. Here’s the thing that really caught my attention. When asked by Classical Music magazine what she was going to do next, she said:

“I’m not going to be a world-famous anything else I don't think, but I really want to paint. I really want to make things, I really want to draw and learn another instrument… I have these recurring dreams about playing the viola and the cello and the violin… also I just have always wanted to design things. I just want to sit quietly and design things. That's what I was maybe supposed to be, a designer.”

She’s world class, and she’s quitting at the very top of her game. I have to respect that, and also, isn’t it an extraordinary thing that she thinks that maybe she should have done something else? She also said:

“I’ve followed my particular path, very honestly and with authenticity and I feel that I've come to the end of that path.”

Knowing when to quit is one of the most important skills in life. Dropping something even though you’re good at it (and she is the best), even when you’re successful, just because your heart isn’t in it any more.

Go Alison.

The night after I found this out, I had a weird dream in which I was at a concert where she was playing, and she was having all sorts of crises of confidence. I told her two things (just to be clear there is absolutely zero chance she would ever come to me for advice. This was my subconscious telling me something).

1. Your true fans care about your wellbeing more than about any one performance.

2. Play the music of your heart.

I’m not in her league in any field, but I am pretty well established in my profession. And yet every now and then (not less than once a month) I wonder whether I’m still doing what I’m supposed to be doing (whatever that means). Am I following my particular path with authenticity?

The one thing that reliably makes me feel like I’m in the right place doing the right thing is teaching in person. Having a classful of students growing in the art with a little help from me. Everything else, the writing, courses, all the extra stuff, is a maybe.

I’m not sure where I’m going with this, but it feels like a clear reminder that above all else I should be playing the music of my heart, whatever that is.

Maybe you should too?

On Monday this week I sent the final draft of From Medieval Manuscript to Modern Practice: the Dagger Techniques of Fiore dei Liberi off to the editor. Hurrah! There's a lot of admin work to do from here, checking edits, sending to layout, making sure all the links work etc., but let's put it this way: if I became incapacitated, my highly competent assistant could get the book finished and into your hands no problem. Some authors call this the “truck draft”, as in, if I were hit by a truck, the book would still come out.

Which means that it's ready to preorder, in ebook, paperback, or hardback. I expect the book back from the editor this month, and back from layout in October, so if all goes well it should ship in mid-November.

You can find it here.

So what's the book about?

It's my complete interpretation of Fiore dei Liberi's dagger plays. Every single one of the 76 plays we see in the Getty manuscript is there, with the illustration from the manuscript, my transcription, my translation, my explanation of how it works, and a link to a video clip showing my interpretation in action.

There is also a comprehensive introduction about Fiore himself, the treatise, and the four known manuscript versions of his work, and various asides and digressions about elements of practice. Going by word count, the actual dagger plays and interpretation text are about 60% of the book, so there's a lot of extra material.

Sound like fun? Preorder here.

Here's an example of what you'll get (it will look better when the layout is done by a professional: this is just me pasting stuff into an email program).

The Seventh and Eighth Plays of the Ninth Master

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Fiore's 7th play of the 9th master, dagger between the legs, interpreted by Guy Windsor
La presa del mie magistro non abandonai in fin che questo zugador vidi vidi che non lassava la presa. E luy se inchina cum la daga in verso terra. E io subito piglai la sua mane cum la mia mancha per enfra le soi gambe. E quando la sua mane hebbe ben afferada, dredo de lu passai. Comomo possete vedere chello non si po discavalcare senza cadere. E questo zogho che me dredo posso fare. La man dritta dela daga lassa, e per lo pe lo vegno a piglare per farlo in terra del tutto andare, e a torgli la daga no mi po manchare.

I will not abandon the grip of my master so that this player saw that he could not leave the grip. And he leant down with the dagger towards the ground. And I immediately will grip his hand with my left hand between his legs. And when his hand has been well secured, I will pass behind him. As you can see, he cannot dismount [from my grip] without falling. And this play that is after me I can do. The right hand leaves the dagger, and I will come to grab him by the foot to put him completely on the ground, and I will not forget to take his dagger from him.

Fiore's 8th play of the 9th master, with the leg lift, interpreted by Guy Windsor

Questo scolaro che me denanzi a fatto lo principio, et io fazo del so zogho la fine de mandarlo in terra como ello ha ben ditto. Per che questo zogho non habia corso in larte, volemo mostrare che in tutta liei habiamo parte.

This scholar that is before me has done the start, and I do the end of the play, by sending him to the ground as he has well said. Because this play is not common in the art, we want to show that we have a part in all of it.

This technique is fascinating, and lots of fun to practice if you’re careful. It works best if the player is pulling back on contact, or you can create some space for it by a sneaky backfist to the groin with your left hand. Having made the cover, you slam their wrist into their groin, then let go with your left hand (unless you already did to do the backfist) and reach around their leg to grab their wrist again from behind. This is quite easy because you are just finding your own right hand. Then let go with your right hand and bring that around too. You’re now holding their wrist between their legs from behind. If you just yank upwards they will fall on their face, or you can grab their ankle and yank that up for extra vim. Fiore recommends doing the disarm too, which we see in the first image.

You can see this play here: guywindsor.net/dagger064

I'm hoping it's really obvious to you whether this is your kind of thing or not. If not, no worries, there's plenty of other material for you. But if it is your thing, you can preorder here. And if you think your friends will like it, do share.

wine glass and bottle, scenery background, no alcohol 100 days

As I posted on Sword People last week, I'm taking 100 days off alcohol. Why would I do that?

The DEXA Scan: an uncomfortable truth

I was in London a couple of weeks ago for a family reunion, and took the opportunity to wiggle along for another DEXA scan (at BodyScan UK). My last was a year ago. On the positive side, I’ve put on about 2.4kg of ‘lean mass’ (the scan can identify fat, bone, and ‘lean mass’, which is everything that isn't fat or bone), mostly in the upper torso. And my overall fat percentage has come down from 24.8% in May 2024, to 21.5% now. Great.

But my genetics put the remaining fat mostly in my viscera, the absolutely worst place to have it. I had 148

cm² (which is a weird way to measure a volume, but hey) in May '24, down to 115cm² in August '24, but as the muscle piled on (yay!) it brought some fat with it (as it almost always does), and it all went round my organs, so it's back up to 136cm². Boo.

Dexa scan body composition history for Guy Windsor

Subcutaneous fat isn’t such a big health problem, in reasonable amounts. But visceral fat is bad for inflammation, blood lipids, diabetes risk, the works. And it seems that’s where I store it.

I've uploaded the results as a pdf here, in case you're interested in the actual numbers: Guy_Windsor_DEXA_2025-08-13-report

 

So why cut alcohol specifically?

I’m not a big believer in calorie restriction as the main driver of fat loss, because while the laws of thermodynamics are absolute, your body is insanely complicated, and has all sorts of ways of adjusting your metabolism to lose or put on weight depending on various triggers. What you eat, and when, is as important as how much. And don't get me started on gut biome. I first really understood this when I accidentally lost 10kg in three weeks. But if there are a bunch of unnecessary calories coming in from somewhere, that's the obvious place to start.

For me the biggest source by far of “empty” calories is alcohol. My natural state is to have a glass of wine or two while cooking, and another glass or three while having dinner, and maybe a dram afterwards, pretty much every day. I normally get through about 7 bottles of wine a week minimum, without hangovers or other obvious ill effects. I think my soul is mostly Italian!

When I went alcohol-free for a month this Spring (thanks to a bad cholesterol test), I lost about 2kg and 4cm around my waist. It messed with other things though- I didn’t get a word written in all that time, other than newsletters. And I didn’t feel any particular energy benefits. Though I ought to have been sleeping better, I wasn’t waking up full of beans and ready to face the day any more so than usual.

But, several credible sources (the folk I listen to most on these subjects are Dr. Peter Attia, and Dr. Rhonda Patrick) suggest that the real benefits to cutting booze come around the three month mark. Kevin at BodyScan said the same thing. So I’ve decided to take 100 days off alcohol. I started on August 19th. Day 100 is November 26th, four days before my birthday.

Why not just cut back?

It's very hard to measure a small amount every now and then. Sure, I bet I could get most of the benefits if I just had one glass of wine on a Friday night. I've previously established with sleep monitors that a glass of wine with dinner has no measurable effect on my sleep (I eat early). But then what happens to the rest of the bottle? How much wine is that really? What if I swapped out the wine for a dram of Lagavulin? It's just much easier to measure “no booze” than figure out “some booze”. And from a self-control issue, it takes very little effort (for me) to have decided to not drink at all, than to stop at one. The hard part is making the decision to stop. Now that's done, thanks to bastard DEXA, it's really no big deal (for me).

I know that other people have much more serious issues with alcoholism or other addictions, so please don't read this as minimising their struggles. And I can think of several life events that could occur that would lead to me immediately abandoning this experiment in favour of getting blootered. So no judgement.

The Pros and Cons of alcohol restriction

You may find the pro/con analysis I do for any intervention a useful rule of thumb, so here goes.

Cons first (always):

1. Is there any known, or likely, health downside? If someone were to suggest going without vegetables for 100 days, or going without protein, or going without exercise, or without in-person social interaction, I’d want to see an awful lot of peer-reviewed studies suggesting that it was a good idea. But there is no known health benefit (that actually stands up to scrutiny) of consuming alcohol. So I won’t be sacrificing any useful nutrients. The polyphenols in wine? I get way more of them from blueberries and dark chocolate.

2. The most common downsides of any intervention are time and money. Exercise costs time. Supplements cost money. Cutting out alcohol saves money and takes no time.

3. Alcohol has been a major component of Western culture since at ancient times. The slaves that built the pyramids were fed a kind of beer. 2600 years later Jesus's first miracle was turning water into wine. 2000 years on, not much has changed. Just about every major event is marked with booze of some kind. We drink with friends, we drink to celebrate success, to commiserate in disaster, to raise a toast or to drown a sorrow. Wine, beer, spirits of every kind have been part of our culture (and many others) since forever, and there is a huge amount of artistry that goes into creating a perfect wine to go with your steak, or the smokiest of single malts. That's the only thing that makes this in any way difficult: the sheer number of times already (it's been less than a fortnight!) when I've had to risk being thought anti-social to decline an offered drink. People who like to drink (like me!) can take this as a critique of their current habits. Nothing could be further from the truth. But cutting out alcohol does carry a social risk.

I worked out that the last time I went 100 days with no booze I was 13. It’s been nearly 40 years since I last tried this, and it’s just an experiment, not a moral position.

So the worst-case scenario is I get no noticeable benefit (but save some money), and lose out on some gustatory delight, and some people will find me stand-offish. I can live with that, for SCIENCE. I don't judge other people by what they choose to drink, so have no interest in the judgements of those that do.

Pros:

1. There is good reason to suppose that I’ll cut the visceral fat down, because it’s happened before (between my first two DEXA scans, in May and August 2024 which established a clear correlation between waist size and visceral fat quantity), and because of the waist reduction this year, in just 33 days of no alcohol.

2. There ought to be improvements in sleep quality. This is very hard to measure, and regular readers will know that I’ve tried several different sleep trackers and found problems with all of them. The only metric that seems at all reliable is heart rate. With alcohol, my heart rate is higher and more erratic when sleeping; without it, it’s lower and steadier. I've confirmed this many times since getting my first sleep tracker in 2017.

3. It’s a clear break from a habit I know is not healthy, and a fairer test of sobriety. I wouldn’t necessarily judge the effects of a diet or exercise program after just a month, so it seems reasonable to give no booze a fair crack of the whip.

The best case scenario is that I get amazing health and vitality benefits from this. But that will raise the issue of do I go back or not? I’ll have to entirely re-think the place that alcohol plays in my way of life. So I’d be lying if I said I wasn’t kind of hoping that it doesn’t help much.

It’s important to keep any test to just one variable. If I replaced booze with doughnuts I could reasonably expect to not lose any visceral fat. So I’m giving myself a couple of weeks to let my usual dietary rules slip a bit (I had four slices of my daughter’s banana bread after dinner last Sunday, with marmalade) but once I’m back from Swords of the Renaissance this weekend I’ll be pretty careful about keeping the rest of my diet as it was.

And finally…

I intend to report back here (maybe even with another DEXA scan) in due course. But I keep my friends on Sword People, and my newsletter subscribers updated on all sorts of things, including my various health experiments. Join us there, or sign up for the newsletter (or both!).

And let me just re-iterate: I'm running a health experiment. I have no moral problem with alcohol, and I don't think of myself as an alcoholic. If alcohol is damaging your health, or getting in the way of your goals, feel free to try 100 days off, or better yet get professional help. But it says nothing about your moral worth whether you drink or not.

Update at 50 Days

50 days into this experiment: so far, so good. The hard part was making the decision. Once it was decided, not drinking is normal. There are open bottles of booze in the house, but no temptation. Every now and then I fancy a drink, but the urge passes quickly. This was as true on day 1 as it is on day 50.

The closest thing to an exception has been a couple of social events in pubs, where I had a low-alcohol (0.5% or lower ABV) beer. I’ve done that twice. I don’t think it matters particularly, but I’ve decided to be careful in the last 50 days to stay off even that.

My weight is down about a kilo and a half (3.5lb), and my waist is down about 2cm. These are averages: weight fluctuates a lot during the day and from day to day: have a glass of water and you gain half a pound or so. Eat more fibre the day before and there’s more water held in your gut. So I measure weight and waist every day, and average them up over the week. Waist is especially problematic to measure, as it’s me with a tape measure, trying to be consistent about exactly where on my body I’m putting it, and exactly how tight, at what point in my breathing cycle. Sucking in my gut gets me down to 84, expanding as much as possible gets me to 96 (which is significantly smaller than my relaxed measurement in May 2024). So I’m not treating these figures as hard or accurate, but they are a reasonable guide to progress.

The oddest thing about this is that all of the weight and waist gains occurred in the first 25 days; they have been basically stable since then. Though I suppose it’s possible I’ve been losing fat and gaining muscle (or the other way round) since then. My weight training is the most reliable guide to muscle mass until the next DEXA scan, and I’m getting gradually stronger (as one would expect), so I doubt I’m losing significant muscle mass. I’m also careful to keep my protein intake quite high (about 1.5g/1kg of body mass, so about 120g/day for me).

I’m not sure if I’m sleeping better or not. I don’t wake up feeling any more rested than I did before, but I have several times slept a lot longer than I used to, for no apparent reason. I’m hoping that my brain is adapting to the lack of booze and getting better at staying asleep, but it’s too early to tell. Sleeping longer means I’m waking up later, so my usual habit of getting an hour or so of writing in before the house wakes up isn’t happening, but that’s ok; I seem to be productive enough.

On balance, this has been underwhelming in terms of health gains so far. I was expecting significantly more benefits already, given that I’ve come down from drinking an average of a whole bottle of wine every day. But who knows, maybe the next 50 days will hold some surprises.

This experiment is an example of my overall guiding principle of training: figure out what works for you, then do that. Both of those aspects are challenging: how do you figure out what works for you? And how do you maintain the practice of applying it? I go over all these things and more in The Principles and Practices of Solo Training.

banner image for Introduction to HMA beginners course

Find Your Way Into the Art of Arms: A New Beginner’s Course in Historical Martial Arts

When I started out in Historical Martial Arts, it was an entirely new field. There were no maps, no guides, and no signs. Fast forward a couple of decades, and we’ve built a thriving, global community. That’s wonderful—but now the problem isn’t a lack of direction. It’s too many options.

There are dozens of systems, hundreds of schools, and more online courses, books, videos, and interpretations than ever before. For the curious beginner, it can feel overwhelming. Where do you start? Longsword? Rapier? Sword and buckler?  Italian? German? English?

To help with that, I’ve created a brand-new course:

Introduction to the Art of Arms: Get Started in Historical Martial Arts

This course is designed as a clear, accessible starting point for anyone new to Historical Martial Arts. You don’t need prior experience, expensive gear, or an encyclopaedic knowledge of medieval fencing masters. You just need curiosity and a willingness to explore.

We begin with gentle, grounded instruction in the core principles of movement and mechanics—how to stand, how to move, how to hold a weapon. From there, the course expands into two complete beginner paths:

Fiore dei Liberi’s Armizare: A system of knightly combat from 15th-century Italy, covering longsword, grappling, and dagger.

Ridolfo Capoferro’s Rapier: A sophisticated fencing tradition from the early 1600s, ideal for those drawn to the elegance and precision of the Renaissance duel.

These two systems offer very different approaches to the Art of Arms. Having a grounding in both gives you a solid foundation and helps you discover what kind of swordsmanship you’re drawn to.

Once you’ve completed those, we move into the “tasting menu” section of the course, with short, practical introductions to other traditions:

Vadi’s Longsword – bridging Fiore and later traditions

Liechtenauer’s Longsword – from the German school

Von Baumann’s Wrestling – late medieval grappling, straight from the manuscript

Dall’Aggocchie’s Bolognese Swordsmanship – a Renaissance civilian sword style

Sword and Buckler from MS I.33 – the oldest known fencing manual

Each of these tasters is designed to be doable, not daunting. You’ll get a feel for the system, the weapons, and the movement, without needing to dive straight into full commitment.

The idea is simple: give students a real, physical sense of what each system is like, before they choose what to specialise in.

Why So Much Content for So Little?

The course is available by subscription, at just $10/month. I don’t believe beginners should have to drop hundreds of dollars just to find out if Historical Martial Arts are for them. This format means:

•You can try it for the price of a couple of coffees.

•If it’s not for you, you can cancel anytime—no questions asked.

•You can explore at your own pace, with guidance and structure when you need it.

•And yes, there’s a 30-day money-back guarantee—just in case.

Who Is It For?

Complete beginners, curious about swords but unsure where to begin.

Students returning after a break, who want to rebuild foundations.

Instructors, looking for a structured, beginner-friendly course to recommend to new students.

Writers, re-enactors, and gamers, who want to get hands-on with authentic historical movement.

Ready to Begin?

You don’t need to be a knight or a duellist to train like one. Just be curious, willing, and maybe a little sword-obsessed.

👉 Start your journey here

Let me know what you think of the new course—I’d love to hear your feedback.

Browse the full library of Dr. Guy Windsor’s work: books in physical, digital and audio formats, workbooks, and video courses.

Guy frequently keeps his blog updated with thoughts, challenges, interviews and more!

Bio

Find out why teaching swordsmanship and running the Swordschool means so much to Guy.

live classes

If you’d like to book into a live training or discussion session and hear from Guy directly, check out his schedule here.